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Il Bivio I - Fragmented FeminineIl Bivio I - Fragmented Feminine
May 19-20 2024 Explores the complexities of the female experience through a contemporary lens, where the body, identity, and self are continuously in flux. This exhibition presents a powerful narrative of womanhood, focusing on the themes of fragmentation, transformation, and the journey toward self-realization. Through a variety of mediums—painting, sculpture, and photography—the featured artists deconstruct traditional representations of the feminine form, offering abstract and layered interpretations that challenge societal norms and expectations. These works capture the essence of being "in-between,"...
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Giuseppe AgnelloGiuseppe Agnello
Born in AgrigentoLives and works in Agrigento, Sicily Giuseppe Agnello is a Sicilian sculptor whose work investigates the intimate connection between humanity and the natural world. Agnello, born in Racalmuto, Sicily, studied sculpture and later taught at the Accademia di Belle Arti of Palermo and Carrara. His practice is characterized by metamorphic forms: bodies entwined with roots, stones, or vegetation rendered in resin, bronze, or plaster. His work reflects on collective memory, environmental fragility, and geological transformation within Sicilian landscapes.
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EquilibriumEquilibrium
May 11, 2026 In EQUILIBRIUM, Anna Kennel presents a body of work that reflects on the fragile balance between humanity and the natural world. Her finely detailed paintings depict landscapes and figures in quiet states of transformation, where ecosystems appear subtly altered and nature carries the traces of human presence. Rather than offering dystopian visions, Kennel insists on the possibility of balance, regeneration, and renewal. Timed with the Spring Equinox and Earth Day, Equilibrium unfolds as a visual meditation on...
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Demetrio Di GradoDemetrio Di Grado
Born in PalermoLives and works in Catania, Sicily Demetrio Di Grado is a Sicilian artist known for his analogical collages, created exclusively from original cut-out images sourced from 1930s and 1940s magazines. Through visual and symbolic associations, he transforms these fragments of the past into poetic compositions that weave memory, irony, and contemporary critique.
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